LILY TOMLIN: Thank you all, wow. Well, thank you all. Thank you all so much. How can I possibly express myself after Dolly and now you guys. I mean, it's -- what a week this has been, though. And so you are kind of anticlimactic. Didn't you hear the booms day talk is moved up to two-and-a-half minutes before midnight. And this award, it came just in the nick of time.
When the great Ruth Gordon received an Oscar for the first time, at 72, she said, "I can't tell you how encouraging a thing like this could be." Wait a minute, I just realized I'm older than Ruth Gordon was at that point, but it is an honor to receive -- it is inspiring, really, to receive an award like this. Oh, I didn't even realize the sadness was on the other side. I've been close to this many times. It's amazing. I think you should have... (turns award around).
Ironically, ironically this award makes you feel like you've -- not that you've done so much but more like you wish you had done so much more to receive an honor such as this.
In my defense, I wasted a lot of time being ambitious about the wrong things. When I recall my youth, I can't even point to a time when I showed promise to be anything but trouble. When I was a senior in high school, my counselor called me into his office to tell me that they were thinking of holding back my diploma. I said, "Gee, whiz, Mr. Daniels, why would you do something like that?"
Turns out, I had been a student for 4 years, but I had been absent 1. Cumulatively, I had been absent 1 year. I would literally stay out 12, 13 days in a row if my hair didn't turn out right. And those of you from that era know what I mean because hair was really important. But somehow I learned to turn my -- my flaws into spiritual lessons. I must say watching "Oprah" really helped.
And now, after 50 years in the business, I find young actors are asking me for sage advice hoping for, you know, kind of nuggets of wisdom. So along with telling them to wear sunscreen, I suggest a few other things I think you may find helpful.
Don't leave the house when you are drunk. And if you are already out there, well, you must learn to tell when you've had too much to drink. Listen to your friends. When they stop talking to you and start talking about you, saying things like, "Did she have a purse?" And don't be anxious about missing an opportunity. Behind every failure is an opportunity someone wishes they had missed.
Meryl is laughing at this, and there's absolutely no time she's had a failure. And mind what Thoreau said, "Beware of any enterprise which requires new clothing."
Doesn't that ring sort of true tonight? To a few of you? Does to me.
Live your life so that when you are being being honored for your achievements, the people called upon to make laudatory remarks can feel reasonably honest about their comments. Otherwise, all -- in these times, all their words or of phrase might be perceived as alternative facts or, worse yet, fake news.
Finally, thank those people on whose shoulders you stand. My partner, writer Jane Wagner, is the one on whose shoulders I stand the tallest.
There are so many people, more people to thank for helping me with my achievements than I actually have achievements. Tonight, I'm going to go home. I'm going to make a really big entry into my gratitude journal. Thank you, thank you, all of you.
Ruth Gordon was right when she said how encouraging a thing like this is. I feel like I'm just getting started. What sign should I make for the next march? So much to do; global warming, standing rock, LBGT issues, Chinese missiles, immigration.
Thank you. Thank you to the Screen Actors Guild and to SAG-AFTRA. I'm just really grateful. I'm so glad this speech is almost over.
And, you know, we could all go out and, like, really change things. And in fact I feel like I feel -- as long as I don't have to audition, I just may be back. Thank you all. Thank you all.
It was Laugh-In – which T.V. Guide magazine named one of “50 Greatest TV Shows of All Time” – that introduced mainstream America to Tomlin characters like the overbearing (and snorting) switchboard operator Ernestine, the philosophical 5-and-a-half-year-old Edith Ann and the ultimate very tasteful suburban socialite Mrs. Audrey Earbore III.
Since then, under the Tomlin-Wagner banner with her long-time partner, writer and producer, Jane Wagner, Tomlin has starred in six comedy specials, three of which earned four Emmys. Tomlin and Wagner also produced three animated specials based on Edith Ann, voiced by Tomlin, including the Peabody Award-winning Edith Ann's Christmas (Just Say Noël).
Tomlin's talents span many roles and genres, from Ms. Frizzle in the animated The Magic Schoolbus, Candice Bergen’s boss on Murphy Brown and Lisa Kudrow’s narcissistic mother on Web Therapy, the compelling drama of the president's executive assistant on The West Wing (a role which earned her an individual 2003 SAG Award® nomination) and her Emmy-nominated performance as the wife of a disgraced financier in Damages. She also is continuously in demand for guest-starring appearances.
Tomlin can currently be seen starring opposite fellow executive producer Jane Fonda in Grace and Frankie, in which two mismatched women become friends as they reinvent themselves after their husbands decide to marry each other. The Netflix original series has been renewed for a third season and has earned Tomlin Emmy nominations this year and last for Outstanding Lead Actress in a Comedy Series, as well as a Golden Globe nomination.
In Tomlin’s very first movie, Robert Altman's Nashville, she earned Oscar®, Golden Globe®, BAFTA and other award nominations for her performance as Linnea, a gospel singer with a strained marriage and two deaf children. She went on to dozens of leading roles in a catalog that includes The Incredible Shrinking Woman, written by Wagner; Altman's The Late Show; 9 to 5,with Jane Fonda and Dolly Parton; All of Me, with Steve Martin; Woody Allen’s Shadows and Fog; Jim Abraham's Big Business, with Bette Midler; David O. Russell’s I Heart Huckabees, with Dustin Hoffman; Franco Zeffirelli's Tea with Mussolini, with Maggie Smith and Judi Dench; and two additional Altman movies, Short Cuts and the director's final film, A Prairie Home Companion, written by and co-starring Garrison Keillor. Most recently she played the title character in the dramedy Grandma, a psychologically deep role director/writer Paul Weitz said he developed with Tomlin in mind and which earned her a Golden Globe nomination.
In an early milestone, Tomlin appeared in her first solo Broadway show, Appearing Nitely, which featured some of what are now her most beloved and memorable characters. Along with the already classic Ernestine and Edith Ann were Lucille, who has an unusually intense relationship with rubber; Lud and Marie; Sister Boogie Woman; and the touching acumen of Trudy the Bag Lady. The show earned Tomlin a Tony and a Time magazine cover story with the headline, “America’s New Queen of Comedy.” Her next Broadway triumph was in Jane Wagner’s play The Search for Signs of Intelligent Life in the Universe, which earned her a second Tony for Best Actress, as well as a Drama Desk Award and an Outer Critics' Circle Award. She later reprised this role in the film adaptation of the same name, which won a CableACE Award. Tomlin is internationally known for her sharply witty yet compassionate live performances, which include the above characters, as well as Madame Lupe, the world's oldest living beauty expert, and Mrs. Beasley, Middle America's most famous housewife.
Tomlin is well-known for supporting philanthropic organizations, particularly those focused on animal welfare, civil rights, health care, overcoming homelessness and supporting the LGBTQ community in all aspects of life. She has given countless fund-raising performances for organizations across the country, including The Ann Richards School for Young Women Leaders, Rosie's Place in Boston, Project Home in Philadelphia and many, many other community action groups. Tomlin has contributed in other ways to improve conditions for all living things, such as co-founding the Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center. Tomlin and Wagner together also founded the Goosebump Garden at the internationally known LGBT Fenway Health Center in Boston and have been involved in its growth for over 25 years.
As part of her concern for animals, Tomlin earned an Emmy for her narration of the documentary An Apology to Elephants. She has worked with elephant activists all over the country to take elephants out of zoos, is on the boards of Actors and Others for Animals and the Shambala Sanctuary. She also works with Paws Elephant Sanctuary in California. She has received the Petco Foundation’s Hope Award for being a leader in animal welfare, and she established the Voice for the Animals Foundation’s Lily Award, to highlight just a few of her interests.
Tomlin's humanitarian efforts earned her the Honickman Foundation’s Golden Heart Award for her impact in breaking the cycle of homelessness and poverty. To name just two of many organizations she supports, Tomlin devotes her time to Smile Train, the international charity that provides cleft palate/lip surgery to children, and PAWS/LA, which assists low-income elderly and people living with catastrophic illness keep and care for their pets.